NYC Live Performance Photography | Evarlv.

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Performances

Music, comedy and nights you had to be there for


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Saxophonist James Carter wailing on stage at Minton's Playhouse, Harlem

Know the Room

A concert photographer in NYC has to read the room before the band plays a note. Here's how I handle two of Harlem's best.

Minton's Playhouse 206 W 118th St, New York, NY 10026

Bebop was born here, and the room still feels like it. Minton's is a Harlem jazz supper club with Southern-leaning plates and a full cocktail bar, all served while the band plays. It's a small room, and the light is low on purpose: candles on the tables, a warm wash on the stage, shadow everywhere else. That's beautiful to sit in and brutal to shoot. It takes fast primes and careful high-ISO work to keep faces alive without blowing out the highlights. Seating is fixed supper-club tables, so there's no roaming the floor mid-set. You get the room's edges and one quiet angle, and every frame has to be taken without blocking a diner's view of history.

The Shrine 2271 Adam Clayton Powell Jr. Blvd, Harlem, NY

The Shrine is a Harlem world-music room that holds around 200 people and plays like a party. It serves a full bar and food, and jazz, Afrobeat, reggae, funk and soul rotate on the stage most nights. The light is pure small-club: low ambient glow, sweeping color washes and spots that flare and fall. That means full manual, fast glass wide open and an ISO that rides the show without drowning your frame in noise. The floor is general admission, packed tight to a low stage, with no photo pit and no clean sightlines. Every shot is earned by reading the crowd and catching the beat a performer steps into the light.

Book the Shoot

Performing, hosting or promoting a show? Don't let the night disappear. Tell me the date, the venue and the vibe, and I'll make sure you have the photos to prove it happened.

Reserve Your Date

Online booking coming soon

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